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Where to Find Me (And What Writing to Submit)

Dear readers,

I have some new posts coming, but am obliged to take care of some things… about you. Since I’ve announced that I am collecting pieces for an annual publication (guidelines for submission here) to which I am excited to read your contributions, I’m connecting all of you to the publisher accounts so that you can sort of keep tabs on the type of working we’re seeking. Our publishing house, Kajol Crescent, will be issuing the digital and print volumes of the fatal feminist.

To follow us on Instagram, and on Twitter, you can follow both at the handle @KajolCrescent.

Currently, the Instagram showcases more material than the Twitter, but soon the latter will be used for announcements. In order to pay our writers and artists, we’re going to start fundraising for the magazine very soon, but in the meantime, you’re welcome to view some of the work through our publishing house accounts. And of course, I will continue to bring you Qur’anic interpretations here.

I’m attaching a gallery from our insta. Not all of the material is new, but it will be soon. Thank you, as always, for accompanying me in these exegetical endeavors. And don’t forget to submit!

With love,
Nahida

Spheres of Literature series

Some of you may have noticed that I haven’t been writing as frequently about Islam as of late. This is because I am working on a project that consumes all of my Islam-writing time. However, it’s centered around a specific realm, so I will still be writing little pieces on Islam in other areas.

As for the very present moment, I’d like to introduce a series to this website in which I describe books written by authors of different contents and cultures. The installments of this series will not be consecutive (because I have to read a large range of books before I choose which to discuss), so there will be Islamic posts in between. My goal is to demonstrate that although these books do not (always) overtly engage in identifying colonialist attributes, we often read them as a critique of colonialism merely by virtue of the conditions described and even the places they are about.

This is to say that we become uncomfortable with these books by our own doing. They may very well be books about colonialism, but the amplification of this fact is a consequence of our own defensiveness and awareness of past (and concurring) wrongs. The authors are merely telling their stories; these just happen to be stories that offend us, because we read stories of the Other with a different standard of evaluation than we read our own even though their stories are only as political as ours.

These books are about everyday people living everyday life, just like British or American novels are. The difference is in our perception–we are brought to confront how the characters’ lives got “that way” when we don’t stop to do this for “our own” literature.

How did our lives get “that way”? When you read a novel about the American pioneers, for example, do you think about who they had to kill to get “that way,” to the position that they are at the start of the novel? Of course not, because “white literature” has the privilege of being perceived as apolitical. Even when it is very, very political.

Out of our defensiveness, we are outraged at what literature written by people of color implies. When a character of color is living everyday life, (life that perhaps got “that way” because of a colonial presence) we accuse the author of being too race-focused, even when white literature is nothing but.

I will be arranging these installments by continent, but I acknowledge very forcefully that this is an arbitrary arrangement. (I think there are only six continents. Seriously. Why does Europe get its own continent? I AM TOTALLY going to say that there are only six continents. And if whether we designate a region of the world as its own continent is based on cultural and not geographical difference [hence justifying Europe], then there are definitely MUCH MORE than seven continents.) Civilizations within continents are not homogenous. So here is your disclaimer: the arrangement really means nothing, and I may decide to organize the series differently halfway through.

[CLOSED] Lingerie Giveaway!

red lace panties

This is open to all locations, all religions, and all sexes.

I’d actually wanted to do this giveaway sometime last year, but I kept putting it off because I wasn’t sure how to go about it, considering lingerie is hardly a one-size-fits-all sort of thing! And then I figured I should hurry up with this giveaway, before I am too refined and sophisticated for such things.

So here’s what I’m going to do:

(1) You are going to enter the contest by leaving a comment below (one entry per person) with the email address through which you would like to be contacted if you win (or you can contact me after I announce you, whichever) and

(2) if you do win, you’re going to tell me what sizes you need. Okay? YAY!

You’ll receive a package in the mail with the following:

a brassiere
suspenders/garters
stockings
panties!

Everything will match / work together. You can of course enter for yourself or as a gift to someone else. (I won’t ask, I’ll just need the sizes and your mailing address.) If the brassiere isn’t available in the size you’ve requested, I’ll replace it with one that (I hope) is equally pretty and then match everything else accordingly.

Lacey bras like this are hardly ever in my size! I totally feel your pain.

When you leave your comment, you can leave sizes with it if you want, or if you’d rather that not be public, I’ll ask for them in an email if you win! The winner will be chosen with random.org.

The last day to enter is March 4. I will be announcing the winner that week.